Much Ado About Nothing and Kanjoos

About 30 years ago, I wrote a critical review of some plays by (South) Asian theatre groups based in London for the (now defunct) arts magazine ARTRAGE. There followed some heated debate/discussion over the course of a few editions (of the magazine) about the nature (and quality) of such performances including, what I felt at the time were, personal attacks on my character for daring to say something negative about artists from my own ethnic background.

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